Friday – MARYANN MILLER

MaryAnn L. Miller is the author of Cures for Hysteria (Finishing Line Press 2018) and Locus Mentis (PS Books 2012.) She has been thrice nominated for a Pushcart Prize. Her poems have appeared in Ovanque Siamo, Stillwater Review, and anthologies Welcome to the Resistance and Illness as a Form of Existence. Miller is also a visual artist with artist books in the National Museum of Women in the Arts. Miller has Hyperkalemic Periodic Paralysis. www.maryannlmiller.com

WORKSHOP | Artifacts and Nicknames: Ways into Memoir 

There are many ways to enter your memoir: family artifacts, and histories of our nicknames are some of them. These heirlooms and endowed pet names remind us of important times and people in our lives. We will look into the driving issue behind your story and find connections between you and other writers who have treated their life stories in a variety of ways. We’ll discuss how strong emotions might be re-lived as you write, and how personal experience can create universality. We all live through suffering and joy, and someone will be comforted by your story.

Sunday – DAN SIMPSON & ONA GRITZ

Daniel Simpson and Ona Gritz co-authored Border Songs: A Conversation in Poems and co-edited More Challenges for the Delusional, an anthology of prose, poetry, and writing prompts. Their work has been anthologized in About Us: Essays from the Disability Series of the New York Times and Beauty Is a Verb: The New Poetry of Disability, and has appeared, together and apart, in various journals, including Prairie Schooner, Ploughshares, River Teeth, Margie, and Nine Mile Magazine.

WORKSHOP | Writing Hermit Crab Poems

Hermit Crabs are born without shells so they borrow or, more accurately, steal the shell of another creature. Essayist Brenda Miller borrowed this name to describe essays that take their shape from other forms of writing, and we’re borrowing it from her to apply to poems. Think of William Carlos Williams’ famous, “This is Just to Say,” a poem written as a note of apology. We can write poems in the form of grocery lists, recipes, text message chains, rejection letters…Together, we’ll explore sample poems, generate a list of possibilities, and create new work using this technique.

Sunday – GLENN MCLAUGHLIN

Glenn McLaughlin is retired from over thirty years working in the chemical industry and a brief five year experience teaching high school chemistry and physics.  He is the 2013 Montgomery County Poet Laureate, a finalist for the Eric Hoffer Award in Poetry (2009) for his collection, “Forms of Lectio”.

READING & DISCUSSION| Science & Poetry are not mutually exclusive

“Scientific American”, a US monthly science journal that has published continuously for over 175 years, added a monthly “science based poetry” feature in their January 2020 edition. A college professor of mine, who once looked at me with little faith I would survive as a chemistry major, connected with me forty years later as he attempted to use poetry to express thoughts chemical formula and theory could not.  A friend once told me that poetry is the search for essential truth. Science, also, has at its heart the search for truth so there is commonality there with poetry.  I will offer examples written by others in addition to some of my own work.

Saturday – GRACE CAVALIERI

Grace Cavalieri is Maryland’s Tenth Poet Laureate. She’s the author of 26 books and chapbooks of poetry. She’s had several plays, short-form and full-length, produced. She produces and hosts “The Poet and the Poem,” for public radio, 44 years on-air, now from The Library of Congress. She has taught poetry workshops in colleges throughout the country. Her latest books are “Grace Art-Poems and Paintings;” and “The Secret Letters of Madame de Stael.”

WORKSHOP | 3 Part Workshop

A two hour workshop will be in 3 segments.1) “Coming Home To Ourselves:” An
elevator Prompt takes us through the floors of our lives to find the experience, write it margin to margin, then guide it to poem. 2) “Surreality Is The Only Reality:” Writing from random words given to create a whole. 3) Writing an Ode.

Sunday – KATHERINE HAHN FALK

Katherine Hahn Falk, 2017 Pennsylvania Poet Laureate for Bucks County, was granted support from Bread Loaf and The Rona Jaffe Foundation to attend the 2021 Bread Loaf Writers’ Workshop series. Her work has been published in literary journals and anthologies and recognized with prizes. In 2020, Katherine helped edit, Fire Up The Poems, a resource for High School educators to teach poetry. Her debut poetry collection will be out later this year from Moonstone Press.

WORKSHOP | Writing Our Way Through the Grief Tunnel

The workshop will explore the process of writing about personal and communal grief. Whether the grief has been precipitated by a sudden shock or felt slowly as it unfolds, poetry offers a way to move through the grief tunnel. Poems about grief will be explored along with participant free writings and prompt responses designed to help clarify our grief stories. The workshop will include conversation with Chad Frame, and ideas for how to write one’s way through grief based on the idea that “the way out is the way through”.

Saturday – NICOLE GREAVES

Nicole Greaves’s poetry has appeared in numerous literary reviews and was awarded prizes by The Academy of American Poets and the Leeway Foundation. She was a finalist for the Coniston Prize of Radar Poetry, who nominated her for The Best of the Net. She was also a finalist for the Frontier Digital Chapbook Contest, the Dogfish Head Poetry Contest, and Glass Lyre’s open reading period. She is Poet Laureate Emeritus of Montgomery County.

AMY SMALL-MCKINNEY

Amy Small-McKinney’s chapbook, One Day I Am A Field, is forthcoming with Glass Lyre Press. Her second full-length book of poems, Walking Toward Cranes, won the Kithara Book Prize (Glass Lyre Press, 2017). Her poems have appeared in numerous journals, for example, American Poetry Review, Baltimore Review, and SWWIM, and have been translated into Romanian and Korean. For more information, check out her website: amysmallmckinney.com

 WORKSHOP | Poetry & Aging: Does What We Have To Say Matter?

Co-facilitators: Amy Small-McKinney & Nicole Greaves

Studies reveal that negative-aging stereotypes have consequences on the aging experience. For example, older adults’ performance on tasks declines when primed with negative-aging stereotypes (Coudin & Alexopolous, 2010). How might these mental representations impact us as aging poets? In this workshop, we will read and explore poetry about aging, as well as ask ourselves where we, as aging poets, fit in this younger culture of poetry. What are we permitted to write about or rather, what do we give ourselves permission to speak aloud about our bodies, our sexuality, our fears, our memories, our lives now, both gorgeous and fragile? Are we no longer needed, or are we emissaries sharing what is coming to a younger generation? How do we continue to evolve, be inspired? Together, we will explore these questions and write our own poems, discovering what Muriel Rukeyser called “the vocabulary of my silence,” in this case the beauty of our aging bodies and selves.

Sunday – ERNEST HILBERT

Ernest Hilbert is the author of Sixty Sonnets, All of You on the Good Earth, and Caligulan, which was selected as winner of the 2017 Poets’ Prize. His fourth collection, Last One Out, appeared in March 2019. He lives in Philadelphia where he works as a rare book dealer and book critic for The Washington Post and The Wall Street Journal. His poem “Mars Ultor” was included in Best American Poetry 2018, and his poems appear in Yale Review, American Poetry Review, Harvard Review, Parnassus, Sewanee Review, Hudson Review, Boston Review, The New Republic, American Scholar, and the London Review. Visit him at www.ernesthilbert.com

READING & DISCUSSION| Songs Forever New: Art of Poetry, Poetry of Art, and Finding Inspiration through Observation

In this workshop, we will examine and practice the ways in which poetry can be inspired by the visual arts. This is known as ekphrasis. Broadly speaking, ekphrasis is the ancient Greek practice of heightening a reader’s emotions through intense, detailed description of an object. In the Renaissance, forms such as the Petrarchan sonnet and the blazon cataloged the virtues and attractions of a beloved person. In modern literary parlance, the term ekphrasis pertains specifically to sustained descriptions of a work of art—a sculpture, painting, drawing, etching, mural, architecture, or photograph (rarer are examples of music, which is most difficult to accomplish well). When it is applied properly, this rhetorical approach to poetry results in an enhancement of the work of original art in the reader’s mind—broadening the aesthetic experience—while also creating a poem that exists independently. From Homer and Virgil to Auden, Ashbery, and Alicia Ostriker, responses to works of art have led to compelling and memorable poems. Together, we will explore the ways in which inspiration may be drawn from a work of art—its particular parts, its overall emotional resonance, its imaginative energy.

Participants are asked to bring to the session a work of art they would like to use.

Saturday – CHAD FRAME

Chad Frame’s work appears in Rattle, Pedestal, Barrelhouse, Rust+Moth, and elsewhere, including iTunes from the Library of Congress. He is Director of the Montgomery County Poet Laureate Program and Poet Laureate Emeritus of Montgomery County, Pennsylvania, the Poetry Editor of Ovunque Siamo, a founding member of the No River Twice poetry improv performance troupe, and founder of the Caesura Poetry Festival and Retreat. His full-length collection, Little Black Book, is forthcoming from Finishing Line Press.

WORKSHOP | Writing Our Way Through the Grief Tunnel

Far too often, the writing community (MFA programs in particular) like to group us by “what we write” — when, in reality, most of us write everything! In fact, poets make excellent fiction writers, and creative nonfiction, even copywriters. Our attention to detail, economy of language, and penchant for image and metaphor serve us well. On the other side of the fence, the narrative techniques of prose serve us well in poetry.

In this workshop, we’ll be reading and analyzing examples of narrative lyric poetry, epic poetry, novels in verse, prose poetry, and flash fiction, and talking about the techniques used for each, the takeaways for your own work even if you write something different, and which is appropriate for a particular concept. We’ll be culminating in writing prompts for both poetry and prose.