Montgomery County Poets Laureate
The Annual Montgomery Poet Laureate Competition is the foundation upon which the MCPL Program was built. The competition is the ultimate expression of the program’s mission; creating an ever expanding community of poets, supporting their work and providing opportunities for poets to elevate their visibility while also benefiting the community with their service project, many of which continue long beyond their tenure.
How does the competition work?
Each year MCPL recruits a celebrity poet with a national reputation, who along with two additional local Delaware Valley poets, adjudicate the submitted manuscripts.
The newly selected Montgomery County Poet Laureate is honored with an award in the amount of $500 along with a personalized statement about their work, which is shared through MCPL and other local organizations.
The Award is presented during an Award Ceremony and Reading, open to the public and attended by the celebrity judge and previous poets laureate to read with and welcome the newest member of their esteemed ranks.
Who can compete?
Poets of all ages and backgrounds are encouraged to submit their poetry for review and adjudication in the annual competition. Poets must also be residents of Montgomery County. The window for submissions generally opens in early December and closes mid-February with the winner to be announced at the end of March.
The role of the Poet Laureate
The Poet Laureate functions as an ambassador for poetry in Montgomery County from April 1 of the year of his/her naming to March 31st of the following year. This role includes working with MCPL’s Executive Director, Joanne Leva, to develop a schedule of readings, workshops
Appearances may include the Forgotten Voices Poetry Group, Farley’s Bookshop First Thursday Poetry Reading Series, and the annual Caesura Poetry Festival. They may also hold the office of “
Michelle Reale, 2026 Montgomery County Poet Laureate
Poet Laureate 2026
Michelle Reale is a full professor at Arcadia University in the Library and the English Department. She teaches poetry in Arcadia’s Low-Residency MFA program. She writes across genres and is the author of numerous books in her field of Library Science as well as two ethnographies dealing with her work with refugees in Sicily and narratives that trouble the Italian-American experience. She is the author of several poetry collections, most recently Let it be Extravagant (Bordighera Press, 2025) and the forthcoming Beautiful Lying Disguise.
SANGUINATION
Before I learned how to torture a single metaphor into a poem, and waited out the hot rain on interminable summer nights, the blood flowed without restraint. I cataloged variations between my father who was the original bleeder and myself, handkerchief forever to his face. It wasn’t in him to betray a sorrowful emotion, though his nose did it for him, a crooked river of blood as consolation. My nosebleeds began as a pseudo couvade syndrome, and always occurred while I was in school, where the loss of blood corresponded nicely with the measuring of all of my many deficiencies. It was an education enough just to count how many things there were to lose. My father’s blood spoke an in-between language to the memories that he couldn’t. Mine spoke what was to be. That was the year that the old nun who sat in the office at the end of the hallway would usher me into the bathroom, push my face down and let the blood fall into shapes I could divine in the porcelain sink. She held a brass ring of keys to the back of my neck while I cried with great energy at various intervals. When the bleeding slowed down, but did not stop, I was sent back to class. Later, I would cancel out passages in my diary to subvert my own loneliness. My father, wordlessly, as was his way, offered a brand of sympathy I was unaccustomed to, like a church sermon gone rogue. Like a single metaphor writ large.
MUSSOLINI’S BALCONY
It is good to trust others, but not to do so is much better. — Benito Mussolini
In Rome I felt a fever. I navigated the uneven surface of the cobblestones. People milled about in desultory ways in the summer heat. A young mother gripped the hand of her son and yanked him to attention. Walk! She commanded, as he rubbed his eyes, the delicate skin beneath them a study in violet. All around me I felt a great energy like my heart was lit from the inside by neon, knowing it could end at any moment. Mussolini’s balcony, above, was unimposing though I realized the importance of symbols. I wondered how his frenzied supporters were able to discern their humble dreams from his rabid tyranny. The national flag swayed to and fro, as I lost perspective. A tired looking man with a beautiful wife stood still, her Fendi bag clutched to the delicate scaffolding of her chest aware of her own allure. I smelled the strong perfume and cigarette smoke that permeated everything. Somewhere, somehow, Mussolini hovered like an inconvenient memory. The banality of the scene caught me off guard. I was sweating profusely, perhaps on the verge of serious hallucination or heartbreak–I’d often had difficulty discerning one from the other. I needed something ice cold as an antidote. A small girl with narrow blue eyes stood watching a man with a milk snake wrapped around his thick wrist, a small jar for coins at his twisted feet. The balcony loomed like an imperative. I needed political and emotional orthodoxies that I could rely on or reject at the drop of a hat. A crooked path that might lead me astray, but one that was possible to survive, if I put my mind to it.
FESSURA
The pale, spotted fruit in a cracked bowl was like a subtle offering to an angry, and far away god. A woman can predict the future in the arterial formations of cracks in the bridal dinnerware. Domestic boredom is nefarious if left unchallenged. All those buttons on all those blouses and the fingers are constantly in motion. Half-cooked meals are interrupted by feverish bellowing, invoking the flight of swallows, a heartsick longing for the conveyance of swift flight to the familiar and terrible, the place where you cannot return. The rind of the stubborn lemon under the cursed tongue was only a momentary palliative. Light the candles during the day before the dark grabs you around the throat. Separate the meat from the warm vine tomatoes, the right atrium from the superior vena cava, and our moral lapses from our inevitable familiar limitations.
2025 MCYPL Judge Gabrielle Bates
Gabrielle Bates is the author of Judas Goat (Tin House, 2023), a New York Times Book Review...




























